NEAT King Bee II review is an extraordinary sounding receiver from the veteran makers at Neat. This XLR receiver might not have every one of the fancy odds and ends that different items offer, yet it presents a chief sound while covering the fundamentals expected to catch quality sound. Here is our review of the Neat King Bee II.
This generally huge mouthpiece utilizes a 34-millimeter cardioid condenser case with 50 ohms of impedance. It has a powerful scope of 134db at 2.5 ohms, providing it with an extensive variety of customization for explicit recording arrangements.
Connected to the barbecue of the King Bee II is a “honeycomb” pop channel. It tends to be taken out via cautiously pulling and contorting, however clients ought to know that it is fairly delicate.
On the body is a removable shockmount that can likewise string itself onto a stand or mic arm. To eliminate the mount, turn the base ring around the XLR port. Prior to screwing it onto a stand, the ⅝-inch to ⅜-inch connector needs eliminating except if utilizing a ⅜-inch string stand. Eliminating the connector should be possible by taking a penny and squeezing it into the two openings of the connector.
The general load of the King Bee II is 2.47 pounds with all connections included. Albeit more than two pounds doesn’t seem like a lot. It can have the effect in what sort of stand is viable. For examination, the Shure SM7B is 1.69 pounds.
NEAT King Bee II review
eat Amplifiers carried out an upgrade of their whole mic arrangement throughout the course of recent months, Red Redemption 2 PS5 Reviews displaying new modern plans and further developed sound execution.
I’ve previously had the joy of checking out the Horizon and the marvelous Bumblebee II, both USB-based amplifiers intended to overcome any issues between the home and genius sound spaces. They offered extraordinary keep execution in plans that fit well on a work area.
The King Bee II, interestingly, is an ace mic first. It utilizes a XLR association solely, and you’ll have to have a few different bits of stuff to utilize it. All things considered, it actually offers phenomenal incentive for the cash, and it’s a great decision on the off chance that you’re looking to enter the universe of top of the line sound recording without blowing your entire spending plan on a receiver.
Note: Neat Mouthpieces benevolently sent me a last retail unit of this receiver to review. I wasn’t paid to do as such, and I get no kind of kick back or pay in the event that you choose to get one. I had full publication command over this article. You can peruse my full reviews strategy here.
The King Bee II seems, by all accounts, to be looking perhaps more towards the Blue Power outage Flash SL district of the market. However it can totally contend with the SM7B. Contingent upon use case. For instance, were I to mic up an acoustic guitar. I’d far really like to set up the King Bee II or a Backed up the driver mic. All things considered, while for vocal execution the Bee is fine. I’d in any case go towards the Shure brand for the top finish of sound voiceover content. However, truly, the distinction in quality is minimal, while the distinction in cost is galactic.
Do you really need a pop filter?
A pop channel is important while recording a voice straightforwardly before a receiver. It stops plosives (surges of air because of ‘p’ and ‘b’ sounds) from coming to the mic. Neat mics are planned in the USA however implicit China, and there’s no question that a ton of specialized mastery has gone into the plan of the Bee receiver range — yet the styling is, suppose, a touch ‘out there’.
Pop screens are considerably more powerful against pop clamors than windscreens. The last option additionally weaken the high pitch reaction somewhat, while pop screens influence the sound undeniably less. For ideal assurance, the pop screen ought not be excessively near the mic.
Can a sock work as a pop filter?
Flimsy and lightweight socks work best as hand crafted pop channels. You can likewise utilize thicker socks, for example, those intended for skiing and snowboarding. However, i frequently find that these socks hold the amplifier back from picking up all that I really want it to get.
The mouthpiece’s self-commotion is extraordinarily low, making it an incredible decision for Billie’s kind of whispery, fragile vocals.
Throughout beyond 30 years, the SM7 tracked down its direction into the recording studio. A valid example: Michael Jackson’s groundbreaking collection Thrill ride. Quincy Jones and recording engineer Bruce Swedien involved a SM7 for a large portion of Michael’s vocals and, as indicated by legend, all of Vincent Cost’s. It was a courageous decision.